Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
वृषाकपय ऋद्धाय प्रभवे विश्वकर्मणे । भूर्भुवुःस्वःस्वरूपाय दैत्यघ्ने निर्गुणाय च ॥ ६४ ॥
vṛṣākapaya ṛddhāya prabhave viśvakarmaṇe | bhūrbhuvuḥsvaḥsvarūpāya daityaghne nirguṇāya ca || 64 ||
السلام والتسليم للربّ المعروف بفْرِشاكَپي، عينِ الامتلاء والبركة؛ للسيد الأعلى، صانع الكون؛ لمن كانت صورته العوالم الثلاثة (bhūr, bhuvaḥ, svaḥ)؛ لقاهر الدايتيّات؛ ولمن تجاوز كلّ الغونات، النيرغونا.
Narada (hymnic praise within Moksha-dharma teaching, addressed to Vishnu/Narayana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira (heroic)
It compresses key Moksha-dharma theology into a stuti: the Lord is both the cosmic ground (the three worlds as His form) and the transcendent Absolute (nirguṇa), making devotion a direct means to liberation.
By listing divine epithets—creator, protector, destroyer of demonic forces, and beyond qualities—it trains the mind to remember the Lord in many aspects, a classic bhakti practice of nāma-smaraṇa and stotra-recitation.
The phrase bhūr bhuvaḥ svaḥ reflects Vedic cosmological terminology used in mantra-tradition; it supports disciplined recitation (śikṣā: pronunciation) and interpretive understanding of mantra language (vyākaraṇa/nirukta in spirit).