Narada Purana — Purva Bhaga, Shloka 33
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
राम ँकाम्यः कृप ँपूज्यो हरिः पूज्योऽर्च्य एव हि । रोमो दृष्टोऽबला अत्र सुप्ता इष्टा इमा यतः ॥ ३३ ॥
rāma ṃkāmyaḥ kṛpa ṃpūjyo hariḥ pūjyo'rcya eva hi | romo dṛṣṭo'balā atra suptā iṣṭā imā yataḥ || 33 ||
راما هو أسمى ما يُتَشَوَّق إليه في العبادة؛ وبرحمته يُستحق أن يُعبَد. حقًّا إنّ هاري وحده جديرٌ بالتقديس والتقرب بالعبادة. ففي هذا الموضع تُرى القشعريرة وقيام الشعر من أثر البهاكتي، وتلك النساء العاجزات نائمات—فلذلك تُعَدّ هذه الآية أعجوبةً محبوبةً في هذا المكان.
Sanatkumara (in dialogue with Narada, Moksha-dharma section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It asserts exclusive worship-worthiness of Hari (Viṣṇu/Rāma) and points to devotional transformation—signs like romaharṣa (hairs standing on end) arising in the presence of sacred remembrance or narrative.
Bhakti is framed as single-pointed worship (pūjā/arcana) of Hari, motivated by His compassion; the verse also hints that true devotion manifests as involuntary spiritual emotion (sāttvika-bhāvas).
No specific Vedāṅga technique is taught in this verse; the practical takeaway is ritual-practice vocabulary—pūjā and arcana directed to Hari as the primary object of worship in Narada Purana rituals.