Narada Purana — Purva Bhaga, Shloka 35
The Exposition of the Ṣaṣṭhī-vrata Observed Through the Twelve Months
ततः क्षमाप्य देवेशीं प्रणिपत्य विसर्जयेत् । पूज्यात्र सैकती मूर्तिर्यद्वा द्विजसती मुदा ॥ ३५ ॥
tataḥ kṣamāpya deveśīṃ praṇipatya visarjayet | pūjyātra saikatī mūrtiryadvā dvijasatī mudā || 35 ||
ثم بعد ذلك، يستغفر المرءُ الإلهةَ—السيدةَ العليا—ويخرّ ساجداً، ثم يودّعها باحترام مُنهياً العبادة. وفي هذا الطقس تُعبَد صورةٌ مصنوعةٌ من الرمل؛ أو، بفرح، يمكن إكرامُ امرأةٍ براهمنيةٍ فاضلةٍ عوضاً عنها.
Narada (in instruction/dialogue context with Sanatkumara tradition)
Vrata: Kātyāyanī-pūjā (continuation/conclusion)
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It emphasizes humility and completeness in worship: one seeks forgiveness (kṣamāpana), bows (praṇipāta), and formally concludes the rite (visarjana), treating the Goddess with reverence from beginning to end.
Bhakti is shown as respectful relationship: the devotee admits possible faults, offers surrender through prostration, and ends worship without possessiveness—honoring the deity and the dharmic substitutes prescribed.
It reflects Kalpa (ritual procedure): the prescribed sequence of kṣamāpana, praṇipāta, and visarjana, and the authorized use of a saikatī mūrti (sand icon) or honoring a dvijasatī as a ritual alternative.