सर्वदेवस्तुतोऽभीक्ष्णं विमानवरमास्थितः । अथ फाल्गुनशुक्लाया द्वितीयायां द्विजोत्तमः ॥ २९ ॥
sarvadevastuto'bhīkṣṇaṃ vimānavaramāsthitaḥ | atha phālgunaśuklāyā dvitīyāyāṃ dvijottamaḥ || 29 ||
وكانت الآلهة جميعًا تسبّحه على الدوام، فاعتلى فيمانًا سماويًّا فائقًا. ثم، يا خيرَ ذوي الميلادين، في اليوم القمري الثاني من النصف المضيء من شهر فالغونا…
Narada (narrative voice within the Anukramanika-style summary section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It marks a divinely sanctioned transition in the narrative: being praised by the devas and ascending a vimāna indicates honor, purity of merit, and a higher (celestial) movement of the story tied to sacred time (tithi).
While not directly prescribing a bhakti-sādhana, it highlights deva-stuti (praise) as a recurring Purāṇic motif: sincere glorification accompanies auspicious outcomes and signals divine approval in the unfolding account.
It uses calendrical precision—Phālguna, Śukla pakṣa, and Dvitīyā tithi—reflecting Jyotiṣa-style time-reckoning commonly employed in Purāṇic ritual timing and vrata scheduling.