HomeMatsya PuranaAdh. 91Shloka 5
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Matsya Purana — The Rite of Gifting the ‘Silver Mountain’, Shloka 5

ब्रह्मविष्ण्वर्कवान्कार्यो नितम्बो ऽत्र हिरण्मयः राजतं स्याद्यदन्येषां सर्वं तदिह काञ्चनम् //

brahmaviṣṇvarkavānkāryo nitambo 'tra hiraṇmayaḥ rājataṃ syādyadanyeṣāṃ sarvaṃ tadiha kāñcanam //

في هذا النسق الأيقوني، ينبغي أن تُصاغ (صور) براهما وفيشنو وأركا (Arka، إله الشمس) بحيث تكون الأَرداف من ذهب؛ وأما سائر الآلهة، فما كان يُنَصُّ عليه في موضع آخر أنه من فضّة، فيُصنع هنا كلّه من ذهب.

brahmaBrahmā
brahma:
viṣṇuViṣṇu
viṣṇu:
arkaArka, the Sun-god
arka:
vāṅkāryaḥ (vān-kāryaḥ)should be made/constructed (as specified)
vāṅkāryaḥ (vān-kāryaḥ):
nitambaḥhip, buttock/haunch (lower back-hip region of the image)
nitambaḥ:
atrahere, in this context/rule-set
atra:
hiraṇmayaḥmade of gold, golden
hiraṇmayaḥ:
rājataṃsilver (made of silver)
rājataṃ:
syātshould be/is to be
syāt:
yadthat which
yad:
anyeṣāmof others (other deities/figures)
anyeṣām:
sarvamall of that
sarvam:
tadthat
tad:
ihahere
iha:
kāñcanamgold, golden (made of gold).
kāñcanam:
Lord Matsya (in instruction to Vaivasvata Manu, within the Vastu/Iconography teaching section)
BrahmaVishnuArka (Surya)
VastuvidyaPratima LakshanaIconographyTemple ArchitectureMetallurgy

FAQs

This verse does not address Pralaya; it gives technical iconography guidance about which parts of certain deity images should be made in gold versus silver.

It supports the dharmic duty of patrons (kings/householders) to commission correctly-made temple images and ritual objects, following scripture-based standards for materials and craftsmanship.

It specifies material hierarchy in pratima-making: Brahmā, Viṣṇu, and Sūrya images are given golden treatment for the hip region, and in this tradition other cases that might use silver are elevated to gold—guiding consecration-quality temple icon production.