Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
तं ददर्श भ्रमन्तञ्च मुनिश्रेष्ठं वरूथिनी ।
वराप्सरा महाभागा मौलेया रूपशालिनी ॥
taṃ dadarśa bhramantañ ca muniśreṣṭhaṃ varūthinī | varāpsarā mahābhāgā mauleyā rūpaśālinī ||
«ورأتْهُ فاروثيني وهو يهيم—ذلك الحكيمُ الفاضل. وكانت هي أَبْسَرا نبيلة، أوفرَهنّ حظًّا، ماولِيَا (من سلالة ماولِيَا)، موهوبةَ الجمال».
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Purāṇic narratives often introduce apsarases at moments of ascetic vulnerability, exploring how desire can arise suddenly and how discernment must be maintained.
Ākhyāna—specifically, a testing/encounter episode that conveys dharma through story rather than cosmological enumeration.
The apsaras can symbolize refined desire (not crude passion but aesthetic/romantic pull) that challenges even ‘muniśreṣṭha’ status, urging integration of purity and awareness.