Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
अविकार्यक्षयं दिव्यं परिणामविवर्जितम् ।
तवैत्तत्परमं रूपं यन्न शक्यं मयोदितुम् ॥
avikārya-kṣayaṃ divyaṃ pariṇāma-vivarjitam | tavaitat paramaṃ rūpaṃ yan na śakyaṃ mayoditum ||
ثابتة لا تتبدل ولا تَبلى، إلهية ومنزّهة عن التحوّل—هذه هي صورتكِ العليا التي لا أستطيع أن أعبّر عنها بالكلمات.
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The highest divinity is beyond conceptual capture; devotion matures into reverent silence and recognition of the limits of speech, even while hymns are offered.
Serves as theological foundation for 'Sarga/Pratisarga' by positing an unchanging absolute behind change; not itself a narrative lakṣaṇa passage.
The verse points to nirvikalpa contemplation: Devi’s ‘supreme form’ is not an image but the non-transforming reality, approached by withdrawing from discursive thought.