धृतराष्ट्रस्य मूर्च्छा स्त्रीणां च आर्तनादः
Dhṛtarāṣṭra’s Collapse and the Lament of the Palace Women
पश्यध्वं च महात्मानं कर्ण वैकर्तनं युधि । प्रचरन्तं महेष्वासं दिव्यैरस्त्रैमहाबलम्,“देखिये, महामना, महाधनुर्धर और महाबली वैकर्तन कर्ण अपने दिव्यास्त्रोंके साथ किस प्रकार युद्धमें विचर रहा है?
paśyadhvaṃ ca mahātmānaṃ karṇa vaikartanaṃ yudhi | pracarantaṃ maheṣvāsaṃ divyair astrair mahābalam ||
قال سنجيا: «انظروا إلى كارنا، فايكرتانا، في ساحة القتال—عظيم النفس، شديد البأس، سيّد الرماة—يجول في الميدان وهو يلوّح بأسلحته الإلهية. انظروا كيف تمتد قوته وبراعته في أرجاء الحرب.»
संजय उवाच
The verse highlights how epic narration frames martial excellence: power, skill, and divine weaponry can inspire awe, yet they remain ethically ambivalent—strength in war is not itself a guarantee of dharma, only a force that must be directed by right judgment.
Sañjaya, reporting the battle to Dhṛtarāṣṭra, draws attention to Karṇa’s movements and effectiveness in combat, portraying him as a formidable archer roaming the field and deploying divine astras.