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Mahabharata 7.36.17Drona Parva, Adhyaya 36, Shloka 17

अभिमन्यु-परिवेष्टनम्

Encirclement and Counterassault of Abhimanyu

नानावादित्रनिनदै: &्ष्वेडितोत्क्ुष्टगर्जितै: । हुंकारैः सिंहनादैश्व तिष्ठ तिछ्ठेति नि:स्वनै:

nānāvāditra-ninadaiḥ śveḍitotkuṣṭa-garjitaiḥ | huṅkāraiḥ siṃha-nādaiś ca tiṣṭha tiṣṭheti niḥsvanaiḥ ||

قال سانجيا: وسط جلبة شتّى الآلات، وصفيرٍ حادّ وزئيرٍ منتشٍ، ومع صرخات التحدّي وهتافٍ كهدير الأسد، ومع الضجيج المتكرر: «قف! قف!»، اندفع المحاربون إلى الأمام—فملأوا الأرض صخبًا وهم يضغطون على ابن أرجونا.

नानाvarious
नाना:
TypeIndeclinable
Rootनाना
वादित्रof musical instruments
वादित्र:
TypeNoun
Rootवादित्र
Formneuter, genitive, plural
निनदैःwith sounds/clamors
निनदैः:
Karana
TypeNoun
Rootनिनद
Formmasculine, instrumental, plural
स्वेडितwith whistlings/hissings
स्वेडित:
Karana
TypeNoun
Rootस्वेडित
Formneuter, instrumental, plural
उत्कृष्टwith exalted/loud
उत्कृष्ट:
Karana
TypeAdjective
Rootउत्कृष्ट
Formneuter, instrumental, plural
गर्जितैःwith roars
गर्जितैः:
Karana
TypeNoun
Rootगर्जित
Formneuter, instrumental, plural
हुंकारैःwith war-cries
हुंकारैः:
Karana
TypeNoun
Rootहुंकार
Formmasculine, instrumental, plural
सिंहनादैःwith lion-roars
सिंहनादैः:
Karana
TypeNoun
Rootसिंहनाद
Formmasculine, instrumental, plural
and
:
TypeIndeclinable
Root
तिष्ठstand! stop!
तिष्ठ:
TypeVerb
Rootस्था
Formimperative, second, singular
तिष्ठstand! stop!
तिष्ठ:
TypeVerb
Rootस्था
Formimperative, second, singular
इतिthus (quoting)
इति:
TypeIndeclinable
Rootइति
निःस्वनैःwith cries/sounds
निःस्वनैः:
Karana
TypeNoun
Rootनिःस्वन
Formmasculine, instrumental, plural

संजय उवाच

S
Sañjaya
A
Arjuna’s son (Abhimanyu)
W
war-instruments (vāditra)

Educational Q&A

The verse highlights how collective frenzy and intimidation operate in war: loud instruments and aggressive cries are used to break an opponent’s resolve. Ethically, it points to the battlefield’s pressure on dharma—where valor is praised, yet the environment can also encourage excess and dehumanizing hostility.

Sañjaya describes the Kaurava-side warriors advancing with overwhelming noise—drums, roars, taunts, and repeated shouts of “Stand! Stand!”—as they close in upon Arjuna’s son (Abhimanyu), intensifying the chaos and menace of the combat.

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