Previous Verse
Next Verse

Shloka 15

Nārāyaṇāstra-utpātaḥ — Aśvatthāman’s Rallying Roar after Droṇa’s Fall (द्रोणपर्व, अध्याय १६७)

शतानीकमथायान्तं नाकुलिं रभसं रणे । चित्रसेनो रुरोधाशु शरैद्रोणपरीप्सया,द्रोणाचार्यके वधकी इच्छासे रणक्षेत्रमें वेगपूर्वक आते हुए नकुलपुत्र शतानीकको चित्रसेनने अपने बाणोंद्वारा तुरंत रोक दिया

śatānīkam athāyāntaṃ nākuliṃ rabhasaṃ raṇe | citraseno rurodhāśu śarair droṇaparīpsayā ||

قال سانجيا: لما اندفع شَتانيكا ابنُ ناكولا اندفاعًا متهوّرًا في ساحة القتال، عاجله تشِترسينا بوابلٍ من السهام فأوقفه، مدفوعًا برغبةٍ في بلوغ دروṇاتشاريا—أي دفع القتال نحو جانب دروṇa وغاية الصراع هناك.

शतानीकम्Śatānīka (name), Nakula’s son
शतानीकम्:
Karma
TypeNoun
Rootशतानीक
FormMasculine, Accusative, Singular
अथthen/now
अथ:
TypeIndeclinable
Rootअथ
आयान्तम्coming/approaching
आयान्तम्:
TypeVerb
Rootया (धातु)
Formशतृ (present active participle), Masculine, Accusative, Singular
नाकुलिम्descendant/son of Nakula
नाकुलिम्:
Karma
TypeAdjective
Rootनाकुलि
FormMasculine, Accusative, Singular
रभसम्impetuous/vehement
रभसम्:
TypeAdjective
Rootरभस
FormMasculine, Accusative, Singular
रणेin battle
रणे:
Adhikarana
TypeNoun
Rootरण
FormMasculine, Locative, Singular
चित्रसेनःCitraseṇa (name)
चित्रसेनः:
Karta
TypeNoun
Rootचित्रसेन
FormMasculine, Nominative, Singular
रुरोधstopped/checked
रुरोध:
TypeVerb
Rootरुध् (धातु)
Formलिट् (perfect), Third, Singular, Parasmaipada
आशुquickly
आशु:
TypeIndeclinable
Rootआशु
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
द्रोणपरीप्सयाwith the desire to obtain/protect Drona (i.e., for Drona’s sake)
द्रोणपरीप्सया:
Karana
TypeNoun
Rootद्रोण-परीप्सा
FormFeminine, Instrumental, Singular

संजय उवाच

S
Sañjaya
Ś
Śatānīka (son of Nakula)
N
Nakula
C
Citrasena
D
Droṇācārya
A
arrows (śara)
B
battlefield (raṇa)

Educational Q&A

The verse highlights how battlefield actions are driven by intention (parīpsā): warriors restrain or advance not randomly but to serve a strategic aim—here, pressing toward Droṇācārya. Ethically, it underscores that in war, agency and motive shape the moral and narrative weight of an act.

Śatānīka, Nakula’s son, charges forward in the fight. Citrasena immediately blocks his advance by showering him with arrows, motivated by a purpose connected with Droṇācārya—seeking to reach him or further the struggle around him.