Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention
भीमाय भीमरूपाय भीमकर्मरताय ते अग्रेवधाय वै भूत्वा नमो दूरेवधाय च
bhīmāya bhīmarūpāya bhīmakarmaratāya te agrevadhāya vai bhūtvā namo dūrevadhāya ca
سلامٌ لكَ أيّها المُهيب: مُهيبُ الصورة، مُسرورٌ بالأفعال المُهيبة، إذ تصيرُ القاتلَ في المقدّمة فتُهلكُ الأعداء؛ وسلامٌ أيضًا لكَ يا من يَصرَعُ من بعيد. وبصفتكَ پَتي (Pati) تقطعُ حبالَ الباشا (pāśa) التي تُقيّدُ الباشو (paśu)، سواءٌ كان العائقُ قريبًا أم بعيدًا.
Suta Goswami (narrating a Shaiva stotra/namaskara within the Linga Purana discourse)
It frames Linga-worship as refuge in Pati (Shiva) who actively protects the devotee by destroying inner and outer obstacles—those “near” and those “far”—thereby safeguarding the worship and the worshipper.
Shiva is praised as Bhīma—terrible not as cruelty, but as sovereign power that annihilates adharma and bondage; His fearsome form and action express His lordship as Pati who can sever pasha and liberate the pashu.
It implies protective japa/stotra-recitation as an upacāra to the Linga—invoking Shiva’s Bhairava-like potency to remove obstacles and hostile forces, supporting steadiness in Pashupata-oriented discipline and worship.