Previous Verse
Next Verse

Shloka 21

Adhyaya 79 — Bhakti-Mahima and Linga-Archana-Vidhi

Condensed Ritual Sequence

स्तुत्वा च देवमीशानं पुनः सम्पूज्य शङ्करम् ईशानं पुरुषं चैव अघोरं वाममेव च

stutvā ca devamīśānaṃ punaḥ sampūjya śaṅkaram īśānaṃ puruṣaṃ caiva aghoraṃ vāmameva ca

بعد أن يسبّح الربّ «إيشانا» ويعود فيُتمّ عبادة «شنكرا» على الوجه اللائق، ينبغي للمتعبّد أن يتأمّل شِيفا ويعبده بوصفه إيشانا، وبوصفه «بوروشا» (تَتْبُوروشا)، وبوصفه «أَغُورَا»، وبوصفه «فَامَا» (فَامَدِيفا).

स्तुत्वाhaving praised
स्तुत्वा:
and
:
देवम्the Deity/Lord
देवम्:
ईशानम्Īśāna (the ruling, transcendent face of Śiva)
ईशानम्:
पुनःagain
पुनः:
सम्पूज्यhaving worshipped completely/duly
सम्पूज्य:
शङ्करम्Śaṅkara (the auspicious one, Śiva)
शङ्करम्:
ईशानम्Īśāna aspect
ईशानम्:
पुरुषम्Puruṣa/Tatpuruṣa aspect (the cosmic person, the indwelling Lord)
पुरुषम्:
च एवand indeed
च एव:
अघोरम्Aghora aspect (non-terrifying, grace that removes भय and पाश)
अघोरम्:
वामम् एवVāma/Vāmadeva aspect (the beautiful, sustaining, Śakti-infused form)
वामम् एव:
and
:

Suta Goswami (narrating Shiva-puja procedure within the Linga Purana discourse)

S
Shiva
S
Shankara
I
Ishana
T
Tatpurusha
A
Aghora
V
Vamadeva

FAQs

It frames Linga-puja as more than offering rites: the worshipper praises and re-worships Śiva while inwardly aligning with the Pañcabrahma (five-fold) reality of the Linga—recognizing Śiva as Pati who sanctifies the ritual and liberates the pashu from pāśa.

Śiva-tattva is presented as multi-aspected yet one: Īśāna (sovereign-transcendent), Tatpuruṣa/Puruṣa (immanent indweller), Aghora (grace that removes fear and impurity), and Vāmadeva (beauty, preservation, Śakti-filled auspiciousness).

A puja-vidhi joined to contemplative yoga: after stuti and formal worship, the sādhaka performs Pañcabrahma-smaraṇa (meditative identification of Śiva’s aspects), a Pāśupata-oriented inner practice supporting purification and release from bondage.