पीतवासा-कल्पः, माहेश्वरी-दर्शनम्, रौद्री-गायत्री, महायोगेन अपुनर्भवः
पुनराह महादेवः सर्वदेवनमस्कृतः मतिः स्मृतिर्बुद्धिरिति गायमानः पुनः पुनः
punarāha mahādevaḥ sarvadevanamaskṛtaḥ matiḥ smṛtirbuddhiriti gāyamānaḥ punaḥ punaḥ
ثمّ إنّ ماهاديفا—المبجَّل والمسلَّم عليه من جميع الآلهة—تكلّم ثانيةً، وهو يرتّل مرارًا: «مَتي (التمييز)، سْمْرِتي (الذِّكر/الاستحضار)، وبُدّهي (العقل المستيقظ)»، مرةً بعد مرة.
Suta (narrating Mahadeva’s act within the episode)
It frames worship as an inner alignment: the devotee’s mati (discernment), smṛti (sacred recollection), and buddhi (decisive intelligence) are to be repeatedly steadied in Śiva, making external Linga-pūjā effective and sattvic.
Śiva appears as Pati, the Lord revered by all devas, who awakens and orders the antaḥkaraṇa (inner instrument). By His presence, the faculties that bind the paśu under pāśa are redirected toward liberating knowledge.
Repetitive recitation (japa/uccāra) focused on purifying and stabilizing the mind—especially buddhi and smṛti—an essential Pāśupata-oriented discipline supporting concentration during Linga-pūjā.