उमास्वयंवरः / भवोद्वाहः, गणसमागमः, अविमुक्तक्षेत्रमाहात्म्यम्, तथा विनायक-उत्पत्तिसूचना
संनामश् च शतेनैव कुमुदः कोटिभिस् तथा अमोघः कोकिलश्चैव कोटिकोट्या सुमन्त्रकः
saṃnāmaś ca śatenaiva kumudaḥ koṭibhis tathā amoghaḥ kokilaścaiva koṭikoṭyā sumantrakaḥ
هو سَمْنَامَ (Saṃnāma) يُمَجَّدُ بالمئة، وكُمُدَ (Kumuda) تُقَدَّمُ له العبادة بالملايين، وأَمُوغَهَ (Amogha) الذي لا تخيب نعمته، وكُوكِلَ (Kokila) عذبُ الصوت في الكشف، وسُومَنْتْرَكَ (Sumantraka) الذي يُستَدعى بمانتراتٍ مباركةٍ من كُرورٍ لا تُحصى.
Suta Goswami (narrating Shiva Sahasranama to the sages of Naimisharanya)
It frames Linga-worship as Nama-upasana: by repeating Shiva’s names—especially those indicating unfailing grace (Amogha) and mantra-lordship (Sumantraka)—the devotee approaches the Pati through sound (mantra) and devotion (bhakti).
Shiva is presented as Amogha—his śakti and anugraha (liberating grace) never become fruitless; he is also Sumantraka, the ground of mantra through which the bound pashu is led beyond pāśa (bondage) toward union with the Pati.
Nama-japa and mantra-sādhana are implied: reciting the Sahasranama as a disciplined practice supports Pashupata-oriented purification of mind and speech, making worship effective and spiritually transformative.