Devadāru (Dāruvana) Forest: The Delusion of Ritual Pride, the Liṅga Crisis, and the Teaching of Jñāna–Pāśupata Yoga
भस्मपाण्डुरदिग्धाङ्गो नग्नो विकृतलक्षणः / उल्मुकव्यग्रहस्तश्च रक्तपिङ्गललोचनः
bhasmapāṇḍuradigdhāṅgo nagno vikṛtalakṣaṇaḥ / ulmukavyagrahastaśca raktapiṅgalalocanaḥ
كانت أطرافه مطلية بالرماد حتى غدت شاحبة كالغبار المقدّس؛ يمشي عارياً، بسماتٍ ظاهرةٍ غريبة تدلّ على نسكٍ غير مألوف. ويداه مشغولتان بحمل شعلةٍ متّقدة، وعيناه بلونٍ أحمرَ مائلٍ إلى البنيّ؛ فيبدو في هيئة ناسكٍ مهيبٍ شديد.
Narrator (Purāṇic voice, traditionally Vyāsa/Sūta framing) describing the ascetic’s outward characteristics in the Kurma Purana’s Shaiva-oriented instruction
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Indirectly: it stresses external renunciant marks (ash, nudity, austere appearance), implying that such signs are secondary supports; realization of the Self is not the costume but the inner discipline typically taught alongside Pāśupata practice.
The verse highlights Pāśupata-style ascetic observances (vrata/ācāra) and outward disciplines—use of bhasma and severe comportment—often paired in this tradition with inner yoga: restraint, mantra, and single-pointed devotion to Īśvara.
By presenting a Shaiva ascetic ideal within the Kurma Purana (a Vaiṣṇava-linked Purāṇa through Lord Kūrma), it reflects the text’s synthesis: devotion to Īśvara is taught without sectarian rupture, allowing Shaiva Pāśupata disciplines within a broader Purāṇic unity.