Kapālamocana: The Cutting of Brahmā’s Fifth Head, Śiva’s Kāpālika Vow, and Purification in Vārāṇasī
शार्दूलचर्मवसनं दिव्यमालासमन्वितम् / त्रिशूलपाणिं दुष्प्रेक्ष्यं योगिनं भूतिभूषणम्
śārdūlacarmavasanaṃ divyamālāsamanvitam / triśūlapāṇiṃ duṣprekṣyaṃ yoginaṃ bhūtibhūṣaṇam
لابسًا جلد النمر، متحليًا بإكليلٍ سماوي، قابضًا على الرمح الثلاثي (التريشولا) بيده—عسيرَ النظر—يوغيًّا كانت زينته الرماد المقدّس (فيبهوتي).
Narrator (Purāṇic narration describing the manifested deity; Shaiva form presented within Kurma Purana’s Hari-Hara synthesis)
Primary Rasa: vira
Secondary Rasa: adbhuta
By portraying the Lord as the Yogin—radiant and “hard to gaze upon”—the verse points to the transcendent Self that surpasses ordinary perception, yet can be intuited through yogic realization rather than sensory sight.
The emphasis is on the ideal of the Yogin: renunciation (tiger-skin, ash), inner mastery, and awe-inspiring concentration—traits associated with Pāśupata-oriented discipline and meditative absorption in the Lord as the supreme ascetic.
Though the imagery is distinctly Shaiva (trident, ash, tiger-skin), it appears within the Kurma Purana’s integrative theology, where the supreme deity is approached through both Shaiva and Vaishnava symbols, affirming Hari-Hara non-sectarian unity.