Prākṛta Sṛṣṭi and Pralaya: From Pradhāna to Brahmāṇḍa; Trimūrti Samanvaya
भूतादिस्तु विकुर्वाणः शब्दमात्रं ससर्ज ह / आकाशं शुषिरं तस्मादुत्पन्नं शब्दलक्षणम्
bhūtādistu vikurvāṇaḥ śabdamātraṃ sasarja ha / ākāśaṃ śuṣiraṃ tasmādutpannaṃ śabdalakṣaṇam
حينئذٍ إنَّ بُهوتادي (مبدأ الأَهَنْكارا التاماسي) لما تحوَّل أوجد جوهرَ الصوتِ اللطيفَ وحده. ومنه نشأ الآكاشا (الأثير/الفضاء)، أجوفَ شاملًا، وعلامتُه المميِّزة هي الصوت.
Sūta (narrating the cosmogony as taught in the Kurma Purana’s Purva-bhāga)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Indirectly: it describes prakṛti’s evolutes (tanmātra and mahābhūta). The implied teaching is that ātman/Īśvara remains the witnessing ground beyond these changing products, while creation proceeds through ordered tattva-evolution.
No specific practice is prescribed in this verse; however, it supports tattva-viveka (discriminative contemplation) used in Yoga—meditating on how sensory qualities (like sound) arise from subtle principles helps detach awareness from gross elements and turn inward toward the seer.
It does not name Śiva or Viṣṇu directly, yet it aligns with the Kurma Purana’s synthesis: a theistic Purāṇa can employ Sāṅkhya-style tattva evolution while affirming a single supreme Lord (often expressed as Hari-Hara unity) as the ultimate source and overseer of creation.