Adhyāya 25 — Liṅga-māhātmya (The Chapter on the Liṅga): Hari’s Śiva-Worship and the Fiery Pillar Theophany
काश्चिद् भूषणवर्याणि समादाय तदङ्गतः / स्वात्मानं बूषयामासुः स्वात्मगैरपि माधवम्
kāścid bhūṣaṇavaryāṇi samādāya tadaṅgataḥ / svātmānaṃ būṣayāmāsuḥ svātmagairapi mādhavam
وبعضُ العابداتِ أخذنَ حُليًّا نفيسًا من جسدِه، فتزيَّنَّ به؛ ثم بتلك الحُليّ التي هي لهنّ أيضًا زيَّنَّ ماذافا كذلك.
Suta (narrator) describing the devotees’ actions in the Kurma Purana narrative flow
Primary Rasa: adbhuta
Secondary Rasa: shringara
By showing ornaments moving between the Lord and the devotees, the verse hints at intimacy and shared “belonging”: devotion treats the Lord as one’s very Self (svātma), while still honoring His transcendent lordship—an experiential bridge often used in Purana-yoga to approach the Paramatman.
The practice implied is karma-yoga expressed as bhakti-sevā: offering, adorning, and worshipful service (upacāra) performed with inward identification and reverence—an outer ritual that trains inner concentration, humility, and single-pointed devotion.
Though the verse names Mādhava (Vishnu), Kurma Purana’s broader Shaiva-Vaishnava synthesis reads such worship as īśvara-bhakti in general: the same Supreme is approached through different names and forms, with service (sevā) as the unifying discipline.