Invocation, Purāṇa Lakṣaṇas, Kurma at the Samudra-manthana, and Indradyumna’s Liberation Teaching
Iśvara-Gītā Prelude
निर्गुणाय नमस्तुभ्यं निष्कलायामलात्मने / पुरुषाय नमस्तुभ्यं विश्वरूपाय ते नमः
nirguṇāya namastubhyaṃ niṣkalāyāmalātmane / puruṣāya namastubhyaṃ viśvarūpāya te namaḥ
السجود لك، يا منزَّهًا عن الصفات (نيرغونا)، يا من لا جزء له، يا ذاتًا طاهرةً بلا دنس. السجود لك، أيها البوروشا الأعلى. السجود لك، يا من صورتُه فيشفاروبا، صورةُ الكون كلّه.
A narrator/traditional invocatory voice (mangalācaraṇa) praising the Supreme Lord identified with Hari/Iśvara in the Kurma Purana’s Shaiva–Vaishnava synthesis
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents the Supreme as nirguṇa (beyond qualities) and niṣkala (partless), yet as amala-ātman (the perfectly pure Self), indicating a transcendental Consciousness that is untouched by material attributes.
The verse supports contemplative Yoga that alternates between nirguṇa-dhyāna (meditation on the attributeless, partless Self) and viśvarūpa-bhāvanā (seeing the cosmos as the Lord’s form), aligning devotion with non-dual insight.
By praising one Supreme Iśvara as both transcendent (nirguṇa, niṣkala) and immanent (viśvarūpa), it reflects the Kurma Purana’s non-sectarian stance where Hari and Śiva are understood as expressions of the same ultimate Reality.