Viṣṇv-ekapūjya-nirṇaya; Gaṅgā-Viṣṇupadī-māhātmya; Kali-yuga doṣa; Puṣkara-dharma of Viṣṇu-smaraṇa
मण्डूकभार्या गङ्गा तु सैव मण्डूकिनी स्मृता / एवं चत्वारी रूपाणि गङ्गाया इति किर्तितमम्
maṇḍūkabhāryā gaṅgā tu saiva maṇḍūkinī smṛtā / evaṃ catvārī rūpāṇi gaṅgāyā iti kirtitamam
والغانغا، المعروفة بأنها زوجة «ماندوكا»، تُذكَر حقًّا باسم «ماندوكيني». وهكذا يُعلَن أن الغانغا موصوفةٌ بأن لها أربع صور.
Lord Vishnu (speaking to Garuda/Vinata-putra)
Concept: Multiplicity within unity: the same Gaṅgā is known through distinct relational names; knowledge of forms supports remembrance and reverence.
Vedantic Theme: Nāma-rūpa as pedagogical devices pointing to an underlying unity.
Application: Use structured remembrance (forms/names) as a mnemonic for devotion; respect regional/variant traditions as expressions of one sacred stream.
Primary Rasa: shanta
Type: mythic identification (consort-name mapping)
Related Themes: Garuda Purana 3.29.9-10 (three other forms)
This verse frames Gaṅgā as manifesting in multiple recognized forms/names, supporting Purāṇic tirtha-traditions where one sacred reality is approached through different river-forms and local sanctities.
Indirectly: by highlighting Gaṅgā’s sanctifying manifestations, it points to the Purāṇic idea that contact with sacred tīrthas supports purification and auspicious rites, themes often connected with post-death merit and ritual efficacy in the Garuḍa Purāṇa.
Treat tīrthas and sacred waters with reverence, and when performing rites (snāna, tarpaṇa, śrāddha), remember that one sanctifying principle may be honored through different local forms and names.