Viṣṇv-ekapūjya-nirṇaya; Gaṅgā-Viṣṇupadī-māhātmya; Kali-yuga doṣa; Puṣkara-dharma of Viṣṇu-smaraṇa
द्वितीयेनैव रूपेण गङ्गा भार्या च शन्तनोः / सुषेणा वै सुषेणस्य भार्या सा वानरी स्मृता
dvitīyenaiva rūpeṇa gaṅgā bhāryā ca śantanoḥ / suṣeṇā vai suṣeṇasya bhāryā sā vānarī smṛtā
وفي صورتها الثانية صارت الغانغا زوجةَ الملك شنتنو. وأما «سوشينا»—المذكورة بأنها «فانَري» (امرأة قرد)—فقد كانت حقًّا زوجةَ سوشينا.
Lord Vishnu (narrating to Garuda/Vinata-putra)
Concept: Purāṇic-itihāsa integration: one divine principle assumes roles within human history (queen, consort) and non-human lineages (vānarī) without losing essential sanctity.
Vedantic Theme: Līlā and upādhi: the divine appearing through varied limiting adjuncts; identity across transformations.
Application: Read mythic genealogies as symbolic mappings of values and relationships; maintain reverence for the sacred even when it appears in worldly roles.
Primary Rasa: shanta
Type: royal court/riverine kingdom context
Related Themes: Garuda Purana 3.29.9 (four forms); Garuda Purana 3.29.11 (Māṇḍūkinī)
This verse highlights how a single being may be remembered through different manifestations and relationships, helping preserve Purāṇic lineages and identity-mappings across narratives.
Although not a death-ritual verse, it reflects the Purāṇic method of linking sacred figures (like Gaṅgā) to historical-kingship and remembered forms, which supports continuity of dharma narratives across chapters.
Treat sacred names and stories with contextual care—many traditions preserve layered identities; studying them patiently improves scriptural literacy and respectful ritual or recitation practice.