Devahūti’s Prayers, Kapila’s Departure, and Devahūti’s Liberation
Siddhapada
पय:फेननिभा: शय्या दान्ता रुक्मपरिच्छदा: । आसनानि च हैमानि सुस्पर्शास्तरणानि च ॥ १६ ॥
payaḥ-phena-nibhāḥ śayyā dāntā rukma-paricchadāḥ āsanāni ca haimāni susparśāstaraṇāni ca
يُوصَف هنا بهاء بيت الموني كَردَما: كانت الأغطية والفرش بيضاء كزَبَدِ اللبن، والمقاعد من العاج مكسوّة بأقمشة مُخرَّمة ذات تخريمٍ ذهبي، وكانت الأرائك من ذهبٍ عليها وسائد بالغة النعومة.
This verse describes refined opulence—golden seats, ivory ornaments, and soft coverings—often used in the narrative to contrast external comfort with the inner goal of spiritual realization and detachment.
Śukadeva Gosvāmī narrates these details while describing the setting connected with Kapila and Devahūti’s episode in Canto 3.
Enjoy necessities responsibly, but cultivate non-attachment—recognizing that comfort and wealth are secondary to steady devotion, purity of mind, and the pursuit of liberation.