Rāsa-līlā Begins; Divine Multiplication; Moral Doubt and Its Resolution
तत्रैकांसगतं बाहुं कृष्णस्योत्पलसौरभम् । चन्दनालिप्तमाघ्राय हृष्टरोमा चुचुम्ब ह ॥ ११ ॥
tatraikāṁsa-gataṁ bāhuṁ kṛṣṇasyotpala-saurabham candanāliptam āghrāya hṛṣṭa-romā cucumba ha
هناك وضع كريشنا ذراعه على كتف إحدى الغوبيّات؛ وكان لذراعه عطرٌ طبيعي كعطر اللوتس الأزرق ممزوجٌ بعبير صندلٍ قد طُلي به. فلما تذوّقت الغوبية ذلك الشذى اقشعرّ بدنها فرحاً، وقبّلت ذراعه.
It depicts a gopī’s intimate, reverent affection—her ecstatic bodily response and loving gesture—showing the depth of prema-bhakti centered solely on Kṛṣṇa.
Śukadeva Gosvāmī narrates these confidential pastimes to Mahārāja Parīkṣit while describing the rāsa dance in Vṛndāvana.
It teaches focused devotion—absorbing the mind and senses in remembrance of Kṛṣṇa with purity and reverence—while honoring these pastimes as sacred, not mundane.