Skanda’s Svastyayana and the Slaying of Taraka and Mahisha
पञ्चबाहुशतेनापि सुचक्राक्षं बबन्ध सः बलवानपि बाणेन निष्प्रयत्नगतिः कृतः
pañcabāhuśatenāpi sucakrākṣaṃ babandha saḥ balavānapi bāṇena niṣprayatnagatiḥ kṛtaḥ
他又以五百臂将苏恰克拉克沙(Sucakrākṣa)缚住;苏恰克拉克沙虽强,却被婆那(Bāṇa)制得行动无力。
{ "primaryRasa": "bhayanaka", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Many-armed imagery signals superhuman capacity—simultaneous weapon-use, grappling, and binding—often used for asuras (and sometimes deities) to heighten the epic scale of combat.
It indicates that the victim’s capacity to act effectively is nullified—his ‘movement becomes without (successful) effort,’ i.e., he is constrained so that exertion yields no result.
The diction allows both; Purāṇic narration often blends physical grappling with quasi-magical restraint, especially when many-armed figures ‘bind’ opponents mid-battle.