HomeVamana PuranaAdh. 27Shloka 62
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Vamana Purana — Shiva's Wedding Procession (Part 2), Shloka 62

Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)

ततः सुरान् ब्रह्महरीन्द्रमुख्यान् प्रणम्य संपूज्य यथाविभागम् विसर्ज्य भूतैः सहितो महीध्रमध्यावसन्मन्दरमष्टमूर्तिः

tataḥ surān brahmaharīndramukhyān praṇamya saṃpūjya yathāvibhāgam visarjya bhūtaiḥ sahito mahīdhramadhyāvasanmandaramaṣṭamūrtiḥ

随后,他向诸天——以梵天、哈利(毗湿奴)与因陀罗为首——顶礼并依其应得之分恭敬供养,遂遣众神各归其位。八相之主(湿婆)偕同诸部多(Bhūta)住于曼陀罗山。

Narrative voice (contextually within Pulastya’s discourse to Nārada across this section)
Śiva (Rudra/Śarva)BrahmāViṣṇu (Hari)Indra
Śaiva–Vaiṣṇava–Brāhma unity (Brahmā–Hari–Indra honored by Rudra)Ritual propriety (yathāvibhāgam)Rudra’s mountain-residence with BhūtasAṣṭamūrti theology

{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Aṣṭamūrti is Śiva conceived as manifest in eight cosmic forms (a classical Śaiva theological motif). The epithet signals that the narrative is not merely about a local deity on a mountain, but about a cosmic Rudra whose presence pervades the elements and directions.

It indicates honoring each deity according to proper rank and allotted share—i.e., fitting worship, precedence, and offerings. The verse emphasizes order and dharmic propriety even among gods.

Mandara is the explicit sacred-geographical marker. In Purāṇic imagination it is a famed mountain (also known from the churning myth), here functioning as Rudra’s chosen residence after the divine assembly disperses.