Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ततः क्षणेन देवेशः क्ष्माधराधिपतेस्तलम् संप्राप्तास्त्वागमन् शैलाः कुञ्जरस्थाः समन्ततः
tataḥ kṣaṇena deveśaḥ kṣmādharādhipatestalam saṃprāptāstvāgaman śailāḥ kuñjarasthāḥ samantataḥ
随后顷刻之间,天神之主抵达山王之境。四方诸山皆至,乘象而立,环列周匝。
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Cosmic hierarchy is portrayed as devotional order: even the ‘earth-bearers’ (mountains) move to honor the divine presence. The ethical subtext is humility before īśvara and readiness to serve dharma when the divine purpose arrives.
Primarily within Vamśānucarita / Carita-style narration (accounts of divine deeds and sacred locales), with a strong tīrtha/kshetra coloration (descriptive sacred geography through personified entities).
Mountains ‘mounted on elephants’ amplifies royal procession imagery: stability (mountain) supported by power (elephant). It symbolizes the mobilization of the fixed cosmos itself when īśvara enters a region—nature becomes liturgical.