Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ते ऽप्याजग्मुर्महावेगात् त्वाक्रम्य मरुदालयम् आसाद्य मन्दरगिरिं भूयो ऽवन्दन्त शङ्करम्
te 'pyājagmurmahāvegāt tvākramya marudālayam āsādya mandaragiriṃ bhūyo 'vandanta śaṅkaram
他们亦以极快之势启程,越过风神众(Marut)之居域;抵达曼陀罗山(Mandara)后,又一次礼拜顶礼商羯罗(Śaṅkara,湿婆)。
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Devotion is shown as continuous rather than one-time: even after travel and transitions, returning to worship (‘bhūyaḥ’) models steadiness (niṣṭhā) and gratitude.
Primarily Vamśānucarita / narrative itinerary—events and movements of characters; secondarily contributes to tīrtha-mahātmya-style texture by naming a sacred mountain.
Crossing ‘Marudālaya’ suggests passage through celestial/elemental domains; reaching Mandara and bowing again indicates the axis-mountain motif where divine presence is re-encountered and reaffirmed through worship.