Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
उदयो हेमकूटश्च रम्यको मन्दरस्तथा उद्दालको वारुणश्च वराहो गरुडासनः
udayo hemakūṭaśca ramyako mandarastathā uddālako vāruṇaśca varāho garuḍāsanaḥ
乌达耶、赫摩库塔、拉米亚卡与曼达拉;又有乌达拉卡、伐楼那、婆罗诃与迦楼陀座——皆为山名。
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The passage functions primarily as cosmographic mapping: it sacralizes space by naming it. The implicit takeaway is that the world is intelligible within dharma through ordered description (nāma-rūpa), encouraging reverence toward the created order.
This is best classified under Sarga (description of the structured cosmos) or allied cosmography sections commonly embedded within Purāṇas, rather than narrative vamśa/vamśānucarita.
Names like Mandara and Varāha carry mythic resonance (churning of the ocean; boar-form), but here they operate as toponyms—suggesting how myth and geography interpenetrate in Purāṇic imagination.