HomeVamana PuranaAdh. 59Shloka 79
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Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 79

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

ब्रह्मत्वे यस्य वक्त्रेभ्यश्चतुर्वेदमयं वपुः प्रभुः पुरातनो जज्ञे तमस्मि शरणं गतः

brahmatve yasya vaktrebhyaścaturvedamayaṃ vapuḥ prabhuḥ purātano jajñe tamasmi śaraṇaṃ gataḥ

[{"question": "What is the doctrinal weight of calling Janārdana 'jagad-yoni'?", "answer": "It asserts Him as the material and efficient source of the cosmos in Purāṇic idiom—creation is not independent of Him; the world arises from and is grounded in the divine principle."}, {"question": "How does 'sraṣṭṛtve saṃsthitaṃ sṛṣṭau' function rhetorically?", "answer": "It reinforces that the Lord is not merely a distant cause: He is 'established' in the very process/order of creation as its governing creator-function, sustaining intelligibility and dharma within the created realm."}, {"question": "Is this verse sectarian (Vaiṣṇava) or integrative (Trimūrti)?", "answer": "It is integrative in form but Vaiṣṇava in hierarchy: Brahmā’s role is affirmed, yet presented as a form/function borne by Janārdana, thereby subordinating the creator-office to the eternal supreme."}]

Unspecified in the provided excerpt (continuation of a stuti addressed to Viṣṇu/Janārdana).
Vishnu (as Prabhu/Purātana)Brahma (four-mouthed, implied)
Veda as divine embodimentRevelation through Brahmā’s mouths (four faces)Primordial lordship (purātana)Śaraṇāgati

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

It evokes the standard Purāṇic image of four-faced Brahmā. The verse attributes the emergence/manifestation of the four Vedas to the divine source operating through those four mouths, emphasizing that Veda is not merely composed but revealed.

As a theological metaphor: the Lord’s form is identical with sacred knowledge—Veda is His embodiment. It also implies that Vedic sound (śabda) is a primary mode of divine presence.

Purāṇic diction often uses 'birth' for manifestation within time, while 'purātana' asserts timelessness. The point is: the eternal Lord appears in a creator-role without losing His primordial nature.