The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa
यमीशं सर्वभूतानां ध्यायन्ति यतयो ऽक्षरम् वासुदेवमनिर्देश्यं तमस्मि शरणं गतः
yamīśaṃ sarvabhūtānāṃ dhyāyanti yatayo 'kṣaram vāsudevamanirdeśyaṃ tamasmi śaraṇaṃ gataḥ
I bow to the Upright-haired One, and to Narasiṃha; to the Form-bearer, to Him whose banner is the boar; to the guardian of desire, to the Indivisible One; I bow to Him who is dear to the brāhma�Vamana Purana,59,74,VamP 59.74,samastālambanebhyo yaṃ vyāvṛttya manaso gatim dhyāyanti vāsudevākhyaṃ tamasmi śaraṇaṃ gataḥ,समस्तालम्बनेभ्यो यं व्यावृत्त्य मनसो गतिम् ध्यायन्ति वासुदेवाख्यं तमस्मि शरणं गतः,Saromahatmya (Sarasvatī–Kurukṣetra Tīrtha-Māhātmya),Stuti / Yoga-Dhyāna (withdrawal of mind),Adhyāya 59 (Stuti/Śaraṇāgati to Vāsudeva; chapter title varies by recension),74,samastālambanebhyo yaṃ vyāvṛttya manaso gatim
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‘Akṣara’ aligns Vāsudeva with the unchanging, imperishable reality emphasized in Upaniṣadic and Gītā-style discourse. The Purāṇa integrates bhakti (refuge) with jñāna idiom (imperishability), presenting the same supreme as both personal Lord and metaphysical absolute.
The verse distinguishes between conventional designation (nāma used for devotion and teaching) and ultimate capture by language. ‘Vāsudeva’ functions as a devotional and scriptural pointer, while ‘anirdeśya’ asserts that the divine essence exceeds conceptual and linguistic limits.
Tīrtha-māhātmyas often present pilgrimage as compatible with renunciation: the highest fruit of a sacred place is not only ritual merit but also the contemplative realization sought by ascetics. The verse bridges popular devotion and elite meditative practice.