The Saptarishis Seek Uma for Shiva: Himavan Grants the Marriage
सापि जाता मुनिश्रेष्ठ सन्ध्या रागवती ततः प्रतीच्छत् कृत्तिकायोगं शैलेया विग्रहं दृढम्
sāpi jātā muniśreṣṭha sandhyā rāgavatī tataḥ pratīcchat kṛttikāyogaṃ śaileyā vigrahaṃ dṛḍham
随后,噢,诸牟尼中最胜者,她也化生为充满爱欲之染(rāga)的桑迪雅;继而她接受“吉利底迦瑜伽”(Kṛttikā-yoga),并取一坚固之身形,仿佛山所生(如石般坚硬)。
{ "primaryRasa": "karuna", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Unchecked rāga (attachment/passion) is depicted as a degradation from a sacred function into a bound condition with tangible consequences. The narrative frames moral disorder as producing ontological change—one’s ‘form’ becomes heavy/rigid when inner balance is lost.
It remains within didactic-etiological narration used to sacralize ritual/temporal observances (Sandhyā, yogas). It is not a primary sarga/pratisarga account; it functions as explanatory ‘carita’ supporting vrata/ācāra culture around auspicious times.
Kṛttikā is often associated with fiery purification and divine nurture in broader Sanskrit tradition; juxtaposed with Sandhyā becoming rāgavatī and ‘stone-like,’ the verse can symbolize a fall from luminous transition (Sandhyā) into fixity (dṛḍha vigraha), i.e., consciousness hardening under passion.