HomeVamana PuranaAdh. 37Shloka 46
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Vamana Purana — Jabali on the Banyan Tree, Shloka 46

Jabali Bound on the Banyan Tree and Nandayanti’s Appeal at Sri-Kantha on the Yamuna

समभ्येत्याब्रबीदेनां कन्दर्पशरपीडितः त्वं मुग्धे मोहयसि मां दृष्ट्यैव मदिरेक्षणे

samabhyetyābrabīdenāṃ kandarpaśarapīḍitaḥ tvaṃ mugdhe mohayasi māṃ dṛṣṭyaiva madirekṣaṇe

他走近她,因建达尔帕(Kandarpa,爱神)之箭所苦而说道:“天真的女子啊,你仅以一瞥便令我迷乱;你那双眼,醉人如酒。”

सम्-अभ्येत्यhaving approached
सम्-अभ्येत्य:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rooti (धातु)
Formक्त्वान्त-अव्यय (Gerund); उपसर्गौ: सम् + अभि; अर्थः: समीपम् आगत्य
अब्रवीत्said
अब्रवीत्:
Kriyā (क्रिया)
TypeVerb
Rootbrū (धातु)
Formलङ्-लकार (Imperfect/Past), प्रथमपुरुष, एकवचन; परस्मैपद
एनाम्to her/this woman
एनाम्:
Karma (कर्म)
TypeNoun
Rootenad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; सर्वनाम
कन्दर्प-शर-पीडितःtormented by Cupid's arrows
कन्दर्प-शर-पीडितः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkandarpa + śara + pīḍita (प्रातिपदिक; क्त-प्रत्ययान्त)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; तृतीया/षष्ठी-तत्पुरुषार्थः (कन्दर्पस्य शरैः पीडितः)
त्वम्you
त्वम्:
Karta (कर्ता)
TypeNoun
Rootyusmad (सर्वनाम-प्रातिपदिक)
Formप्रथमा-विभक्ति (Nominative), एकवचन; सर्वनाम
मुग्धेO innocent one
मुग्धे:
Sambodhana (सम्बोधन)
TypeNoun
Rootmugdhā (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन-विभक्ति (Vocative), एकवचन
मोहयसिbewilder/infatuate
मोहयसि:
Kriyā (क्रिया)
TypeVerb
Rootmuh (धातु)
Formलट्-लकार (Present), मध्यमपुरुष, एकवचन; परस्मैपद; णिच्-प्रयोग (causative): मोहयति
माम्me
माम्:
Karma (कर्म)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
Formद्वितीया-विभक्ति (Accusative), एकवचन; सर्वनाम
दृष्ट्याwith (your) glance
दृष्ट्या:
Karaṇa (करण)
TypeNoun
Rootdṛṣṭi (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन
एवindeed/just
एव:
Sambandha (सम्बन्ध/अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
Formअवधारण-अव्यय (emphatic particle)
मदिर-ईक्षणेO one with intoxicating eyes
मदिर-ईक्षणे:
Sambodhana (सम्बोधन)
TypeNoun
Rootmadira + īkṣaṇa (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन-विभक्ति, एकवचन; कर्मधारय (मदिरम् इव ईक्षणं यस्याः)
A desire-stricken male speaker addressing a woman (enām; vocatives mugdhemadirekṣaṇe)
Kandarpa (Kāma/Smara)
Kāma as a force of afflictionErotic rhetoric (nāyaka speech)Power of the gaze (dṛṣṭi) in kāvya-style description

{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The ‘arrows of Kāma’ is a standard Purāṇic and kāvya trope for involuntary erotic agitation. It externalizes desire as an assaulting force, portraying the speaker as ‘pīḍita’ (wounded/tormented) rather than calmly choosing restraint.

It intensifies the claim: no speech or touch is needed—mere visual contact triggers delusion (moha). This aligns with classical Indian aesthetics where the eyes are a primary vehicle of erotic suggestion (śṛṅgāra).

Not directly. It is a narrative micro-scene focused on desire and persuasion; no rivers, forests, or pilgrimage sites are named in these lines.