Harihara Revelation and the Kurukshetra Tirtha Cycle: Sthanu in Vishnu and the Sanctification of Saptasarasvata
मोकारो भुजयोर्युग्मं मिथुनस्तत्र संस्थितः मासो आषाढनामा च तृतीयं पत्रकं स्मृतम्
mokāro bhujayoryugmaṃ mithunastatra saṃsthitaḥ māso āṣāḍhanāmā ca tṛtīyaṃ patrakaṃ smṛtam
音节“摩(mo,即ma加o音)”安置于双臂之上;其处为双子宫(Mithuna)所在。名为阿沙荼月(Āṣāḍha)者,忆为第三叶(第三瓣)。
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Arms symbolize action (karma) and ritual performance (offering, bathing, giving). Assigning a syllable to the arms integrates sound (mantra) with embodied ritual agency, reinforcing that the tīrtha’s power is accessed through performed acts aligned with cosmic order.
Mithuna literally suggests ‘pairing’ or ‘twin-ness’, which resonates with the verse’s ‘pair of arms’ (yugma). The mapping is not only sequential but also associative, linking semantic imagery (pair/twins) with bodily duality.
Yes—like ‘nakāra’ for ‘na’, ‘mokāra’ denotes the phoneme ‘mo’. Such kāra-terms are common in Sanskrit grammatical and ritual registers to refer precisely to syllabic units used in mantra and symbolic mappings.