शिवध्यानपूजनवर्णनम्
Description of Śiva Meditation and Worship
पूर्व्वे पिनाकनाराचघण्टा पाशांकुशोज्ज्वलम् । निवृत्त्याजानुपर्य्यंतमानाभि च प्रतिष्ठया
pūrvve pinākanārācaghaṇṭā pāśāṃkuśojjvalam | nivṛttyājānuparyyaṃtamānābhi ca pratiṣṭhayā
于东方,因持毗那迦弓(Pināka)、箭、铃、绳索(pāśa)与象钩(aṅkuśa)而光辉灿然。应安置(神形/布置)自“Nivṛtti”起至膝部;再由膝上至脐,以“Pratiṣṭhā”而立。
Suta Goswami (narrating Shiva’s teachings/traditional description in the Kailasa Samhita)
Tattva Level: pati
Shiva Form: Sadashiva
Role: teaching
It presents an inner-worship (nyāsa/visualization) method where divine principles such as Nivṛtti and Pratiṣṭhā are installed in the body, indicating that liberation is approached by consecrating one’s own embodiment as Śiva’s sacred field.
The verse employs Saguna imagery—Śiva’s implements like Pināka, arrows, noose, and goad—while directing the practitioner to internalize worship through bodily placement, aligning external Linga-pūjā with internal consecration.
A directional and bodily nyāsa-style meditation: visualize Śiva’s radiant emblems in the east and install the principles Nivṛtti (lower region up to the knees) and Pratiṣṭhā (from knees to navel) while reciting Śiva-mantras such as the Pañcākṣarī.