Shloka 19
सीताहरण
विलापः / The Lament at Jatāyu and the Abduction of Sītā
बभूव जलदं नीलं भित्त्वा चन्द्र इवोदितः।सुललाटं सुकेशान्तं पद्मगर्भाभमव्रणम्।।।।शुक्लैस्सुविमलैर्दन्तै प्रभावद्भिरलङ्कृतम्।तस्यास्तद्विमलं वक्त्रमाकाशे रावणाङ्कगम्।।।।रुदितं व्यपमृष्टास्रं चन्द्रवत्प्रियदर्शनम्।सुनासं चारुताम्रोष्ठमाकाशे हाटकप्रभम्।।।।
babhūva jaladaṃ nīlaṃ bhittvā candra ivoditaḥ |
sulalāṭaṃ sukeśāntaṃ padmagarbhābham avraṇam ||
śuklaiḥ suvimalaḥ dantaiḥ prabhāvadbhir alaṅkṛtam |
tasyās tad vimalaṃ vaktram ākāśe rāvaṇāṅkagam ||
ruditaṃ vyapamṛṣṭāsraṃ candravat priyadarśanam |
sunāsaṃ cārutāmrōṣṭham ākāśe hāṭakaprabham ||
她那清净的面容——额光润泽，秀发环绕，无疵无伤，明耀如莲心，又以洁白晶莹之齿为饰——在空中安置于罗波那膝上。虽啼泣拭泪，仍可爱如月，宛若明月破开深蓝雨云而出。其鼻端秀丽，唇色如铜赤，在天际放出金色光辉。
Sita's face looked beautiful with her smooth forehead, shining hair and spotless complexion like the inside of a lotus, with clean, white, shining teeth, a nice nose and lovely red lips. She was continuously weeping and wiping her tears. Her face which was pleasing like the Moon on the lap of Ravana appeared as though the Moon was rising through dark clouds.
FAQs
Dharma is portrayed as an inner radiance that persists even when oppressed. The moon-through-cloud imagery suggests that truth and purity can be obscured by adharma but not extinguished.
While being carried away in the sky, Sītā weeps; the poet lingers on her face and compares its beauty—despite tears and captivity—to the moon emerging from dark clouds.
Sītā’s steadfast purity and emotional sincerity: she grieves openly yet remains intrinsically radiant, reinforcing her role as a dharmic ideal.