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Shloka 74

The Greatness of Hari’s Janmāṣṭamī (Jayantī) Vow

सलज्जोऽपि ततो राजा व्याघ्रं पश्चाज्जगाम ह । अनेकक्लेशदुःखेन व्याघ्रं हंतुं समाहितः

salajjo'pi tato rājā vyāghraṃ paścājjagāma ha | anekakleśaduḥkhena vyāghraṃ haṃtuṃ samāhitaḥ

于是国王虽心怀羞惭,仍追随猛虎而去,专注立誓要将其诛灭,忍受种种艰难与痛苦。

सलज्जःashamed
सलज्जः:
Karta (कर्ता)
TypeAdjective
Rootस-लज्ज (प्रातिपदिक: लज्जा + स)
Formपुल्लिङ्ग, एकवचन, प्रथमा; कर्मधारय-समास (सः लज्जः यस्य/लज्जायुक्तः); विशेषण
अपिeven/also
अपि:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formनिपात (particle): even/also
ततःthen
ततः:
Desha-Kala (देश-काल-अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (adverb): from there/then
राजाthe king
राजा:
Karta (कर्ता)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुल्लिङ्ग, एकवचन, प्रथमा
व्याघ्रम्the tiger
व्याघ्रम्:
Karma (कर्म)
TypeNoun
Rootव्याघ्र (प्रातिपदिक)
Formपुल्लिङ्ग, एकवचन, द्वितीया
पश्चात्after/behind
पश्चात्:
Desha-Kala (देश-काल-अधिकरण)
TypeIndeclinable
Rootपश्चात् (अव्यय)
Formअव्यय (adverb): behind/afterwards
जगामwent/followed
जगाम:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्; अर्थः—गच्छति स्म (went)
indeed (particle)
:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootह (अव्यय)
Formनिपात (expletive/metrical particle), कथन-प्रत्यय (indeed/for emphasis)
अनेकक्लेशदुःखेनwith much hardship and pain
अनेकक्लेशदुःखेन:
Karana (करण)
TypeNoun
Rootअनेक + क्लेश + दुःख (प्रातिपदिकानि)
Formनपुंसकलिङ्ग/पुल्लिङ्ग-भावे (contextual), एकवचन, तृतीया; तत्पुरुष-समास (अनेकाः क्लेशाः च दुःखं च/क्लेश-दुःख-समाहारः); अर्थः—बहुक्लेशदुःखेन (with much hardship and pain)
व्याघ्रम्the tiger
व्याघ्रम्:
Karma (कर्म)
TypeNoun
Rootव्याघ्र (प्रातिपदिक)
Formपुल्लिङ्ग, एकवचन, द्वितीया
हन्तुम्to kill
हन्तुम्:
Prayojana (प्रयोजन/infinitive purpose)
TypeVerb
Rootहन् (धातु)
Formतुमुन्-प्रत्ययान्त कृदन्त (Infinitive); अर्थः—हन्तुं (to kill)
समाहितःcomposed/intent
समाहितः:
Karta (कर्ता)
TypeAdjective
Rootसम्-आ-धा (धातु) + क्त (कृदन्त)
Formक्त-प्रत्ययान्त भूतकर्मणि/भूतकृदन्त (past participle); पुल्लिङ्ग, एकवचन, प्रथमा; अर्थः—एकाग्रः/समाधिस्थः (composed, intent)

Narrator (contextual narration within the Brahma-khaṇḍa; specific dialogue speaker not explicit in this single verse)

Concept: Kṣatriya-dharma demands courageous action even when one feels personal shame; endurance becomes a purifier when aligned with righteous intent.

Application: When faced with a difficult duty, acknowledge inner discomfort but act steadily; convert reactive emotion into disciplined effort.

Primary Rasa: vira

Secondary Rasa: karuna

Type: forest

Visual Art Cues: {"scene_description":"A weary king, dust-streaked and tense with determination, follows fresh tiger tracks through a thorny forest path. His bow is drawn low, eyes fixed ahead, while the jungle closes in—bamboo, sal trees, and scattered bones hinting at danger and moral urgency.","primary_figures":["King (rājā)","Tiger (vyāghra)"],"setting":"Dense forest trail with clawed tree trunks, broken undergrowth, and a distant rocky outcrop; minimal retinue to emphasize solitary resolve.","lighting_mood":"forest dappled","color_palette":["deep jungle green","earth umber","smoke gray","rust red","bronze gold"],"tanjore_prompt":"Tanjore painting style: a resolute kṣatriya king in ornate but travel-worn armor strides through a stylized forest, bow in hand, following a tiger; gold leaf highlights on crown, armlets, and weaponry; rich vermilion and emerald accents; decorative foliage motifs framing the scene; dramatic yet devotional aura suggesting dharma as sacred duty.","pahari_prompt":"Pahari miniature style: slender-limbed king with refined features tracks a tiger through a lyrical forest, delicate brushwork on leaves and pawprints; cool greens and muted browns; distant hills and a pale sky; subtle expression of shame turning into resolve; fine linework and gentle narrative realism.","kerala_mural_prompt":"Kerala mural style: bold black outlines depict the king in dynamic stride, tiger silhouette ahead among stylized trees; natural pigment palette with strong greens, ochres, and reds; large expressive eyes; temple-wall compositional symmetry implying moral order amid wilderness.","pichwai_prompt":"Pichwai cloth painting style: narrative vignette framed by floral borders and lotus motifs; the king’s pursuit shown along a patterned forest band; peacocks and vines as ornamental fillers; deep indigo background with gold detailing; devotional subtext that dharmic struggle leads toward Hari’s grace."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["rustling leaves","distant roar","footsteps on dry earth","bowstring creak","tense silence"]}

Sandhi Resolution Notes: सलज्जोऽपि = सलज्जः + अपि; पश्चाज्जगाम = पश्चात् + जगाम

R
rājā (king)
V
vyāghra (tiger)

FAQs

A king, despite feeling ashamed, pursues a tiger and remains determined to kill it, enduring many hardships in the process.

It suggests inner conflict yet steadfast resolve—acting from a sense of duty or necessity even when one feels personal hesitation or embarrassment.

Not explicitly; it is primarily narrative and ethical in tone, emphasizing determination and endurance rather than a direct devotional or doctrinal instruction.