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Shloka 36

Adhyāya 55: Pārtha–Rādheya Saṃvāda and Tactical Exchange

Chapter 55

स तु द्रोणं त्रिसप्तत्या क्षुरप्राणां समार्पयत्‌ । दुःसहं दशभिर्बाणैद्रौणिमष्टाभिरेव च,उन्होंने द्रोणाचार्यको तिहत्तर, दुःसहको दस, अश्वत्थामाको आठ, दुःशासनको बारह, शरद्वानके पुत्र कृपाचार्यको तीन, शान्तनुनन्दन भीष्मको साठ तथा राजा दुर्योधनको सौ क्षुपप्र नामवाले बाणोंसे घायल किया। तत्पश्चात्‌ शत्रुवीरोंका हनन करनेवाले अर्जुनने कर्णके कानमें एक कर्णी नामक बाण मारकर उसे बींध डाला

sa tu droṇaṃ trisaptatyā kṣuraprāṇāṃ samārpayat | duḥsahaṃ daśabhir bāṇair drauṇim aṣṭābhir eva ca |

毗湿摩波耶那说:他以七十三支如剃刀般锋利的箭射中德罗那;又以十箭贯穿杜赫萨诃,并以八箭射伤德罗那之子阿湿婆他曼。

सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
तुbut/indeed
तु:
TypeIndeclinable
Rootतु
द्रोणम्Drona
द्रोणम्:
Karma
TypeNoun
Rootद्रोण
FormMasculine, Accusative, Singular
त्रिसप्तत्याwith seventy-three
त्रिसप्तत्या:
Karana
TypeNoun (numeral)
Rootत्रिसप्तति
FormFeminine, Instrumental, Singular
क्षुरप्राणान्razor-edged (arrows) named Kṣuraprāṇa
क्षुरप्राणान्:
Karana
TypeNoun
Rootक्षुरप्राण
FormMasculine, Accusative, Plural
समार्पयत्he discharged/aimed (at)
समार्पयत्:
TypeVerb
Rootसम्-आ-√र्प्
FormImperfect, Third, Singular, Parasmaipada
दुःसहम्Duḥsaha
दुःसहम्:
Karma
TypeNoun (proper name)
Rootदुःसह
FormMasculine, Accusative, Singular
दशभिःwith ten
दशभिः:
Karana
TypeNoun (numeral)
Rootदशन्
FormMasculine/Neuter, Instrumental, Plural
बाणैःarrows
बाणैः:
Karana
TypeNoun
Rootबाण
FormMasculine, Instrumental, Plural
द्रौणिम्Drauṇi (Aśvatthāman)
द्रौणिम्:
Karma
TypeNoun (proper name)
Rootद्रौणि
FormMasculine, Accusative, Singular
अष्टाभिःwith eight
अष्टाभिः:
Karana
TypeNoun (numeral)
Rootअष्टन्
FormMasculine/Neuter, Instrumental, Plural
एवindeed/just
एव:
TypeIndeclinable
Rootएव
and
:
TypeIndeclinable
Root

वैशम्पायन उवाच

V
Vaiśaṃpāyana
D
Droṇa
D
Duḥsaha
D
Drauṇi (Aśvatthāman)
K
kṣuraprāṇa arrows
B
bāṇa (arrows)

Educational Q&A

The verse underscores disciplined martial conduct: even amid violence, the warrior’s action is portrayed as controlled, targeted, and proportionate—reflecting the harsh but rule-bound frame of kṣatriya-dharma in epic warfare.

A hero (contextually, the archer in the battle scene) shoots specific counts of razor-pointed arrows at leading opponents—Droṇa, Duḥsaha, and Aśvatthāman—demonstrating overwhelming skill and battlefield dominance.