देवो मनुष्यो गन्धर्वो युवा चापि स्वलंकृतः । द्रव्यवानभिरूपो वा न मेडन्य: पुरुषो मत:,“देवता, मनुष्य, गन्धर्व, युवक, बड़ी सजधजवाला धनवान् अथवा परम सुन्दर कैसा ही पुरुष क्यों न हो, मेरा मन पाण्डवोंके सिवा और कहीं नहीं जाता
devo manuṣyo gandharvo yuvā cāpi svalaṅkṛtaḥ | dravyavān abhirūpo vā na me 'nyo puruṣo mataḥ ||
毗舍摩波耶那说:“无论他是天神、凡人、乾闼婆,或是装束华美的青年英雄;无论富有或俊美绝伦——我心中不容他人。我的心只向般度五子倾转。”
वैशम्पायन उवाच
External excellence—divinity, beauty, youth, ornamentation, or wealth—does not by itself win true esteem; the speaker’s mind is drawn instead to the Pāṇḍavas, implying a preference for inner worth and dharmic character over mere appearance or status.
In Vaiśampāyana’s narration, a strong declaration of preference is voiced: regardless of how impressive another person may be, the speaker’s attachment and approval remain fixed on the Pāṇḍavas, highlighting their moral and personal magnetism within the story.