Shloka 7
भद्रवटगमनम् — स्कन्देन महिषदानवनिग्रहः
Bhadravaṭa Procession and Skanda’s Neutralization of Mahiṣa
बृहद् रथन्तरं मूर्थ्नों वक्त्राद् वा तरसाहरौ । शिवं नाभ्यां बलादिन्द्रं वाय्वग्नी प्राणतोडसृजत्,उन्होंने मस्तकसे बृहत् तथा मुखसे रथन्तर सामको प्रकट किया। ये दोनों वेगपूर्वक आयु आदिको हर लेते हैं, इसलिये “तरसाहर” कहलाते हैं। फिर उन्होंने नाभिसे रुद्रको, बलसे इन्द्रको तथा प्राणसे वायु और अग्निको उत्पन्न किया
bṛhad rathantaraṃ mūrdhno vaktrād vā tarasāharau | śivaṃ nābhyāṃ balād indraṃ vāyvagnī prāṇato 'sṛjat ||
马尔坎德耶说道：他从头顶生出名为“布里哈特”（Bṛhat）的娑摩歌，从口中生出名为“罗檀多罗”（Rathantara）的娑摩歌；二者威力迅疾，故称“tarasā-hara”，即“以迅速夺取者”。随后，他从脐中化生湿婆（鲁陀罗）；从力量中化生因陀罗；从生命之息中化生伐由与阿耆尼。
मार्कण्डेय उवाच
Educational Q&A
The verse frames the gods and Vedic chants as emanations of a single cosmic source, mapping divinities to human and cosmic functions—speech (mouth), cognition/authority (head), inner center (navel), strength, and vital breath. Ethically, it implies that life is sustained by ordered powers and that reverence for prāṇa, speech, and sacrificial fire aligns one with cosmic order (dharma/ṛta).
Mārkaṇḍeya describes a sequence of creation: first the Sāmavedic chants Bṛhat and Rathantara emerge (from head and mouth), then major deities arise from bodily principles—Śiva from the navel, Indra from strength, and Vāyu and Agni from the vital breath—presenting a structured cosmogony where divine roles originate in fundamental life-forces.