Kailāsa-darśana, Badarī-vāsa, and Sarasvatī–Dvaitavana Transition (कैलासदर्शन–बदरीवास–सरस्वतीद्वैतवनगमनम्)
इस प्रकार मूढ़चित्त हो आपसमें ही एक-दूसरेपर धावा करनेवाले उन दानवोंके सौ-सौ मस्तकोंको मैं अपने प्रज्वलित बाणोंद्वारा काट-काटकर गिराने लगा ।। ते वध्यमाना दैतेया: पुरमास्थाय तत् पुनः खमुत्पेतु: सनगरा मायामास्थाय दानवीम्,वे दैत्य जब इस प्रकार मारे जाने लगे, तब पुनः अपने उस नगरमें ही घुस गये और दानवी मायाका सहारा ले नगर सहित आकाशमें ऊँचे उड़ गये
arjuna uvāca |
iti prakāraṁ mūḍha-cittāḥ parasparaṁ eva anyonyaṁ prati dhāvaṁ kurvāṇān tān dānavānāṁ śataśaḥ mastakāni ahaṁ sva-prajvalitaiḥ bāṇaiḥ chittvā chittvā pātayituṁ prārebhe ||
te vadhyamānā daiteyāḥ puraṁ āsthāya tat punaḥ khaṁ utpetuḥ sa-nagarāḥ dānavīṁ māyām āsthāya ||
阿周那说:“见那些达那婆战士心神迷乱,彼此相攻,我便以炽燃之箭,成百地斩落其首,抛坠于地。然而当代底耶如此被杀之时,他们又退入本城;继而凭借魔族的幻术(māyā),连同整座城一并腾空升上天际。”
अजुन उवाच
The passage contrasts straightforward valor with deceptive evasion: Arjuna’s direct martial action represents accountable engagement in conflict, while the Daiteyas’ resort to māyā shows how delusion and trickery can prolong harm and delay rightful consequences.
Arjuna strikes down the attacking Dānava/Daiteya forces, severing many heads with flaming arrows. As they begin to be destroyed, the Daiteyas retreat into their city and, using demonic illusion, lift the entire city into the sky to escape and regroup.