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Shloka 12

Nahuṣa Abhiṣeka and the Crisis of Restraint (नहुषाभिषेकः—दमभ्रंशः)

कैलासे हिमवत्पृष्ठे मन्दरे श्वेतपर्वते । सहो महेन्द्रे मलये समुद्रेषु सरित्सु च

kailāse himavatpṛṣṭhe mandare śvetaparvate | sahā mahendre malaye samudreṣu saritsu ca ||

沙利耶说道:“在凯拉萨山,在喜马瓦特的高巅,在曼陀罗山与白山,在萨诃耶、摩诃因陀罗与摩罗耶诸山,又在大海与诸河之间——那胡沙王身处诸天欢悦园林的丰盛之中,亦在难陀那林的幽苑里,与阿普萨拉与天女们纵情嬉游,百般为乐。他聆听种种天界妙谈,悦耳怡心;又欣赏以各类乐器伴奏、声调甘美的歌唱。”

कैलासेon (Mount) Kailāsa
कैलासे:
Adhikarana
TypeNoun
Rootकैलास
FormMasculine, Locative, Singular
हिमवत्-पृष्ठेon the back/slope of Himavat (Himalaya)
हिमवत्-पृष्ठे:
Adhikarana
TypeNoun
Rootहिमवत्-पृष्ठ
FormNeuter, Locative, Singular
मन्दरेon (Mount) Mandara
मन्दरे:
Adhikarana
TypeNoun
Rootमन्दर
FormMasculine, Locative, Singular
श्वेत-पर्वतेon the White Mountain
श्वेत-पर्वते:
Adhikarana
TypeNoun
Rootश्वेत-पर्वत
FormMasculine, Locative, Singular
सहोon (Mount) Saha
सहो:
Adhikarana
TypeNoun
Rootसह
FormMasculine, Locative, Singular
महेन्द्रेon (Mount) Mahendra
महेन्द्रे:
Adhikarana
TypeNoun
Rootमहेन्द्र
FormMasculine, Locative, Singular
मलयेon (Mount) Malaya
मलये:
Adhikarana
TypeNoun
Rootमलय
FormMasculine, Locative, Singular
समुद्रेषुin the oceans/seas
समुद्रेषु:
Adhikarana
TypeNoun
Rootसमुद्र
FormMasculine, Locative, Plural
सरित्सुin the rivers
सरित्सु:
Adhikarana
TypeNoun
Rootसरित्
FormFeminine, Locative, Plural
and
:
TypeIndeclinable
Root

शल्य उवाच

Ś
Śalya
N
Nahuṣa
K
Kailāsa
H
Himavat (Himalaya)
M
Mandara
Ś
Śveta-parvata (White Mountain)
S
Sahya
M
Mahendra
M
Malaya
O
Oceans (Samudras)
R
Rivers (Sarits)
N
Nandana-vana
D
Devodyānas (divine gardens)
A
Apsarases
D
Deva-kanyās (celestial maidens)
M
Musical instruments (Vādyas)
S
Songs (Gītas)

Educational Q&A

The verse foregrounds the allure of celestial pleasure—gardens, music, stories, and companionship—implicitly warning that even exalted power and refined enjoyment can distract a ruler from restraint and dharma. It sets up an ethical contrast between indulgence and disciplined kingship.

Śalya describes King Nahuṣa moving through famed divine mountains, oceans, and rivers, enjoying the gods’ pleasure-groves (especially Nandana), sporting with apsarases and celestial maidens, and delighting in divine tales and music—an image of peak prosperity and indulgence in a heavenly setting.