Shloka 22
Duryodhana-patana-anuśocana
The Fall of Duryodhana and the Contest of Restraint
गृह संज्ञां ततो भीमो गदया व्यचरद् रणे । मण्डलानि विचित्राणि यमकानीतराणि च,इससे संकेत पाकर भीमसेन रणभूमिमें गदाद्वारा यमक तथा अन्य प्रकारके विचित्र मण्डल दिखाते हुए विचरने लगे
gṛha-saṃjñāṃ tato bhīmo gadayā vyacarad raṇe | maṇḍalāni vicitrāṇi yamakāny itarāṇi ca ||
随后，毗摩领会了约定的信号，执杵游走战场，划出奇异的圆转之势与成对的“阎摩迦”步法，并施展诸般变化。
वायुदेव उवाच
Educational Q&A
Even in war, action is not mere violence but disciplined duty: skill, restraint, and adherence to agreed signals reflect ordered conduct (dharma) within a chaotic battlefield.
After receiving a prearranged cue, Bhīma advances in the fight, brandishing his mace and displaying complex circular and paired maneuvers—signaling readiness and tactical intent amid the ongoing battle.