कर्णस्य एकाकि-प्रहारः तथा पाण्डव-महारथ-परिवेष्टनम् | Karṇa’s concentrated assault and the Pāṇḍava encirclement
ततोडन््तरिक्षादपि साधुवादै- वदित्रघोषै: समुदीर्यमाण: । ज्याघोषनेमिस्वननादचित्र: समाकुल: सो5भवत् सम्प्रहार:,तत्पश्चात् आकाशसे भी साधुवाद एवं वाद्योंकी ध्वनि आने लगी, जिससे प्रत्यंचाकी टंकारों और रथोंके पहियोंके घर्घर शब्दोंसे युक्त वह संग्राम अधिक कोलाहलपूर्ण हो उठा था
tato 'ntarikṣād api sādhuvādair vaditraghoṣaiḥ samudīryamāṇaḥ | jyāghoṣanemisvananādacitraḥ samākulaḥ so 'bhavat samprāhāraḥ ||
随后,连自天际也传来喝彩与乐器轰鸣之声;与弓弦的震响、战车轮辋的隆隆声交织在一起,使那厮杀的喧嚣愈发沸腾。
संजय उवाच
The verse highlights how war amplifies itself through collective excitement—acclamations and martial music can glorify violence and intensify confusion. Ethically, it hints at the seductive momentum of battle: noise and praise can drown discernment and deepen the chaos of adharma-prone conflict.
Sañjaya describes the battlefield as the fighting closes into a melee. From the sky come cries of approval and the roar of instruments, blending with bowstring twangs and chariot-wheel rumbling, making the combat scene even more tumultuous.