Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention
मयस्कराय विश्वाय विष्णवे ब्रह्मणे नमः अन्तकाय नमस्तुभ्यम् उमायाः पतये नमः
mayaskarāya viśvāya viṣṇave brahmaṇe namaḥ antakāya namastubhyam umāyāḥ pataye namaḥ
礼敬于汝——赐吉祥者、遍满宇宙者;礼敬于汝,亦为毗湿奴,亦为梵天。礼敬于汝,作为安多迦(Antaka),终结一切者;礼敬于汝,乌玛之主(Pati)——湿婆,解脱众生之魂(paśu)脱离系缚(pāśa)者。
Suta Goswami (narrating a stuti within the Linga Purana’s Shaiva frame)
It frames Linga-bhakti as worship of the one Pati who manifests as creator (Brahmā), preserver (Viṣṇu), and dissolver (Antaka), making Linga-pūjā a complete worship of all cosmic functions.
Shiva-tattva is presented as viśva (all-pervading) and mayaskara (giver of auspicious grace), transcending sectarian limits while assuming the roles of Brahmā and Viṣṇu and ending bondage through His power over time and death (Antaka).
The takeaway is mantra-japa and stuti as a Pāśupata-oriented contemplation: recognizing one Lord as the inner reality of creation, preservation, and dissolution, coupled with devotion to Umā-pati as the giver of anugraha (liberating grace).