मुनिमोहशमनम्
Pāśupata-yoga, Siddhis, Puruṣa-darśana, Saṃsāra, and Prāṇa-Rudra Pañcāhutī
न तु च्यावयितुं शक्यो मन्वन्तरशतैरपि दृष्ट्वा तु पुरुषं दिव्यं विश्वाख्यं विश्वतोमुखम्
na tu cyāvayituṃ śakyo manvantaraśatairapi dṛṣṭvā tu puruṣaṃ divyaṃ viśvākhyaṃ viśvatomukham
纵历百千摩奴劫,亦不能使祂动摇。然当他们得见那神圣的普鲁沙,名为“毗湿瓦”(全体),面向十方之主,便识得超越一切变易之帕提;在祂之前,系缚(pāśa)对众生(pashu)的力量尽失。
Suta Goswami (narrating to the Sages of Naimisharanya; describing an internal vision of the divine Puruṣa identified with Shiva as Pati)
It establishes the Lord as immovable across cosmic cycles and reveals Him as the all-pervading Puruṣa—supporting Linga worship as contemplation of the changeless Pati present in all directions and forms.
Shiva-tattva is portrayed as divya (transcendent), viśvākhya (the All), and viśvatomukha (omni-faced), indicating the Lord’s immanence in the cosmos and transcendence beyond time (manvantara), the unshakable Pati.
Darśana-based upāsanā: meditative vision of the all-pervading Lord (Puruṣa) aligns with Pāśupata Yoga’s aim—turning the pashu toward Pati so that pāśa (bondage) weakens through steady contemplation.