शिवार्चनविधिः — देवतानां पाशुपतव्रतप्राप्तिः तथा पशुपाशविमोक्षणम् (अध्याय ८०)
गुह्यालयैर्गुह्यगृहैर् गुहस्य भवनैः शुभैः ग्राम्यैर् अन्यैर् महाभागा मौक्तिकैर् दृष्टिमोहनैः
guhyālayairguhyagṛhair guhasya bhavanaiḥ śubhaiḥ grāmyair anyair mahābhāgā mauktikair dṛṣṭimohanaiḥ
其处以古诃(Guhā)之圣所庄严——其秘殿与吉祥宫邸——并有其他辉煌的居处与坊舍;诸位贤者啊,又以如珍珠般的饰物与耀目光华增其美,令人目光尽为所夺。
Suta Goswami (narrating to the sages of Naimisharanya)
By depicting the radiant, ordered dwellings connected with Guha (Skanda), the verse supports dhyāna (contemplative visualization) around Shiva’s divine sphere—helping the pashu (soul) turn from pasha (bondage) toward Pati (the Lord) through sacred imagery associated with Linga-centered devotion.
Shiva-tattva is implied through the harmony and auspiciousness of the divine realm surrounding Shiva’s family: the beauty that “enchants the gaze” functions as a marker of sattvic, transcendent order—an outer reflection of Pati’s inner sovereignty that draws the pashu toward liberation.
The verse most directly supports dhyāna in Shaiva practice—visualizing the auspicious abodes and divine splendor as an aid to one-pointed devotion (bhakti) and meditative absorption used in Linga-puja and Pashupata-oriented contemplation.