Adhyaya 73 — त्रिपुरदाहे ब्रह्मस्तवः
Brahmā’s Hymn in the Context of Tripura’s Burning
इत्युक्त्वा पूर्वमभ्यर्च्य रुद्रं त्रिभुवनेश्वरम् तुष्टाव वाग्भिर् इष्टाभिर् देवदेवं त्रियंबकम्
ityuktvā pūrvamabhyarcya rudraṃ tribhuvaneśvaram tuṣṭāva vāgbhir iṣṭābhir devadevaṃ triyaṃbakam
如是说罢,他先礼拜供奉鲁陀罗(Rudra)——三界之主;继而以挚爱而相称之辞,赞颂三目者特里央巴迦(Triyambaka)——诸神之神——唯其为Pati,能解脱paśu脱离pāśa之缚。
Suta Goswami (narrating the episode to the sages of Naimisharanya)
It establishes the correct sequence: first perform reverential worship (abhyarcana) of Rudra, and then offer stuti—showing that praise is most fruitful when grounded in ritual devotion to the Linga-centered Lord.
Shiva is invoked as Tribhuvaneśvara and Triyambaka, indicating sovereign lordship and transcendent awareness; in Shaiva Siddhanta terms, he is Pati, the supreme controller who can remove pāśa and grant liberation to the paśu.
The practice highlighted is pūrvābhyarcana—preliminary worship before recitation of hymns—aligning with Shaiva pūjā-vidhi and supporting the disciplined devotional approach foundational to Pāśupata-oriented sādhanā.