स्नानविधिः — गायत्र्यावाहन, सूर्यवन्दन, तर्पण, पञ्चमहायज्ञ, भस्मस्नान, मन्त्रस्नान
यावत् त्वदृष्टम् अभवद् उटजानां छदं नरः प्राच्यामुदीच्यां च तथा प्रागुदीच्यामथापि वा
yāvat tvadṛṣṭam abhavad uṭajānāṃ chadaṃ naraḥ prācyāmudīcyāṃ ca tathā prāgudīcyāmathāpi vā
只要那人尚未见到苦行者叶庵上覆的茅顶——无论在东方、北方,或乃至东北方——他便仍继续寻觅前行。
Suta Goswami (narrating the episode within the Linga Purana)
It frames the seeker’s movement through sacred directions toward ascetic hermitages—an archetype for approaching the Linga through purity, tapas, and right orientation (dik) before worship.
Indirectly, it presents Shiva-tattva as approached through disciplined seeking: the Pashu (individual) moves through outer space (directions) toward sanctified space (āśrama), reflecting the inner journey from Pāśa (bondage) toward Pati (the Lord).
It emphasizes pilgrimage-like seeking and āśrama-darśana as a preparatory discipline—akin to Pāśupata orientation and mental purification prior to formal pūjā or yogic absorption.