Vamsha of Dhruva and Prithu; Daksha’s Progeny; Enumerations of Devas, Asuras, Nagas, and Birds
नादिरुग्रो ध्वनिर्भासो बिमुक्तो विक्षिपः सहः / द्युतिर्वसुरनाधृष्यो लाभ कामो जयी विराट्
nādirugro dhvanirbhāso bimukto vikṣipaḥ sahaḥ / dyutirvasuranādhṛṣyo lābha kāmo jayī virāṭ
祂是声音,亦是威烈者;是回响,亦是光辉;是解脱者,亦是遍散诸方而能忍持者。祂是灿然之辉,是珍宝,是不可战胜者;是所得,是欲,是胜利者,亦是毗罗吒(Virāṭ)——遍满一切的宇宙大形。
Lord Vishnu (in dialogue instruction to Garuda/Vinata-putra)
Concept: Hari as nāda (sound), dhvani (resonance), bhāsa/dyuti (radiance), and as the victorious all-pervading Virāṭ—implying all energies and aims are encompassed by the Divine.
Vedantic Theme: Virāṭ/Īśvara as the manifest totality; liberation (vimukta) and worldly aims (lābha, kāma) both subsumed in Brahman’s governance.
Application: Transform sensory experience (sound/light) into remembrance; redirect desire and gain toward dharmic ends, seeing them as energies to be mastered, not worshiped.
Primary Rasa: adbhuta
Secondary Rasa: vira
Related Themes: Garuda Purana 1.6 (Virāṭ/nāma sequence)
This verse presents a cluster of names describing the Supreme as sound, radiance, victory, and the Virāṭ (Cosmic Form), guiding devotees to contemplate God as both immanent power and transcendent liberation.
By highlighting ‘bimukta’ (liberated) and ‘virāṭ’ (all-pervading), it points the seeker toward aligning the mind with the Supreme Reality—devotion and remembrance that support detachment and movement toward moksha.
Use these names as a daily remembrance (japa/recitation) to cultivate steadiness (sahaḥ), ethical victory over impulses (jayī), and a wider vision of life as pervaded by the Divine (virāṭ).