Chandaḥśāstra: Mātrā–Varṇa, Guru–Laghu, Gaṇa, and Metre Types
सर्वादिमध्यान्तगलौ म्नौ भ्यौ ज्रौ स्तौ त्रिका गणाः / आर्या चतुष्कलाद्यन्तसर्वमध्ये चतुर्गणाः
sarvādimadhyāntagalau mnau bhyau jrau stau trikā gaṇāḥ / āryā catuṣkalādyantasarvamadhye caturgaṇāḥ
在一切位置——起首、中段与末尾——韵律的 gaṇa 包含名为 ‘glau’、‘mnau’、‘bhyau’、‘jrau’、‘stau’ 的诸式;这些皆为三音节之 gaṇa。唯于 Āryā 体中,则在各处——开端、结尾及中间全段——皆为四音节的组合。
Lord Vishnu (teaching Garuda/Vinata-putra)
Concept: Chandas-vidyā: metrical composition is governed by gaṇa-patterns; Āryā follows distinct four-mātrā groupings across positions.
Vedantic Theme: Discipline (niyama) and order as supports for śāstra and sacred recitation; form safeguards meaning.
Application: Use gaṇa patterns to scan/compose verses accurately; apply Āryā’s special grouping rules when teaching or composing.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.207 (chandas section; gaṇa terminology continuation)
This verse highlights how gaṇas are used to classify syllable-patterns in metres, supporting correct chanting, memorization, and faithful transmission of the Purana’s verses.
It states that while many metres are analyzed through tri-syllabic gaṇas, the Āryā metre is treated with four-syllable groupings across the beginning, middle, and end.
Use these gaṇa and Āryā rules when digitizing, teaching, or chanting the Garuda Purana to preserve accurate rhythm (chandas) and reduce recitation errors.